The latest drop seen by Lana Del Rey, this song is a single promoting her upcoming album “Stove,” with the album release date unknown. The song is the third of the singles released in relation to the album, following “Henry, come on” and “Bluebird.”

The song symbolises her love for her husband, Jeremy Dufrene. The title itself is being used as a phrase to regard Dufrene, relating his hair to a Hawk’s tail, and Deer Hunter being his publicized hobby. There are lyrics in the song noting her personal growth in relation to her past works, such as the reference to John Deere in the first verse. This reference was also used in her song “Blue Banisters,” however, that reference had melancholic undertones, while this one seems to be brighter in contrast.

Musically, this song is different from most other things Lana Del Rey has released, with layered vocals towards the end, musical notes, and more introducing a depth not previously seen in her music. The instruments used and production have very distinct ballet and orchestral notes. The marriage itself has obviously altered her artistic vision, this ballad sounds like nothing heard from Lana in the past. 

Because of this drastic difference, the previously targeted audience has had lots to say. There is recent controversy surrounding the musical choices Lana Del Rey is making. Many people had entirely different expectations of the “Sad Girl of Pop,” and when this orchestral ballad dropped, fans were not completely satisfied. It’s obvious that Lana Del Rey does not want to do what fans expect of her, and that is what makes this single artistically special; the freedom of it. 

If this song is a look into what can be expected of the album, it will introduce concepts not previously seen done by Lana Del Rey, making viewers all the more excited for the drop.